Research Statement
My research examines how painters of Chinese heritage enter — or fail to enter — the historical narratives of modern and post-war art. Rather than approaching painting solely through stylistic analysis, I focus on the mechanisms by which artistic significance is constructed across institutional, critical, and historiographical contexts.
Over the past decade, my curatorial and archival work has led me to a recurring question: why do certain artists become historically legible, while others, despite comparable artistic seriousness, remain marginal to art history? My research therefore explores the relationship between artistic practice, reception, and historical positioning, with particular attention to cross-cultural interpretation between Western modernism and Chinese-heritage painting.
Our mission
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Our vision
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My Journey of Art
